云间粮仓建筑改造“上海嘻谷艺术馆”

DCDSAA淀川建筑事务所与“云间嘻谷”品牌合作，将坐落于中国上海云间粮仓西22栋历史文化老建筑改造为全新的“嘻谷艺术馆”空间；项目由DCDSAA淀川建筑事务所操刀设计，基于场地环境及当代艺术的属性，摒除原始建筑多余的形体，以恰当的分寸，极简的手法，再造出通透性及关联的几何形态，让建筑与室内融合在一起。 

DCDSAA Architecture Office cooperated with the brand "Valley of the Clouds" to transform 22 old historical and cultural buildings located in the west of the granary of the Clouds in Shanghai, China into a brand-new space of "Valley of the Clouds Art Museum"; The project was designed by DCDSAA Architecture Office. Based on the site environment and the attributes of contemporary art, the redundant forms of the original buildings were eliminated, and the permeability and related geometric shapes were recreated with proper discretion and minimalist methods, so that the buildings and interiors could be integrated together.

嘻谷艺术馆鸟瞰

嘻哈艺术馆外观

河畔夜景外观

这间上世纪五十年代至九十年代的粮食仓库老建筑，总体园区由59栋老建筑组成，以前用作粮食仓储、工厂车间、谷仓等，经过全新规划升级为云间粮食文创园；该建筑的概念设计很快就被确定，通过大规模翻新将其改造成了当地文化地标性艺术展馆，从而使其重复生机。

This old grain warehouse building from 1950s to 1990s, the overall park consists of 59 old buildings, which were previously used for grain storage, factory workshop, barn, etc., and were upgraded to Yunjian Grain Creative Park through new planning; The conceptual design of the building was quickly determined, and it was transformed into a landmark art exhibition hall of local culture through large-scale renovation, thus making it live again.

改造前原内部

改造前原内部

改造前原外观

设计师在空间中设置了多个自由变化的几何形态、内部建筑具有7.5m的高度，整个上海独一无二的双顶连体结构，在视觉上将双顶结构空间统一为整体，也为艺术馆增添力量感，激发着人们的探索欲。

The designer has set up a number of freely changing geometric shapes in the space, and the interior building has a height of 7.5m The unique double-top conjoined structure in the whole of Shanghai visually unifies the space of the double-top structure, which also adds a sense of strength to the art museum and inspires people's desire for exploration.

屋顶与内景局部

双顶连体结构下六边形盒

从主入口步入展馆，焕然一新的艺术场景；空间照明设计发挥了重要作用，营造出动感的视觉效果，吸引人们深入探索；展馆橱窗造型以艺术形态表达与建筑的巧妙呼应，橱窗中以发光的线条勾勒出充满动感的视觉场景，体现设计层次感与通透性，力求吸引途径此处的人们将目光从橱窗转入其它的不同区域。

Stepping into the exhibition hall from the main entrance, a completely new artistic scene; Lighting design plays an important role in creating a dynamic visual effect and attracting people to explore deeply. The window shape of the exhibition hall echoes the ingenious architecture with artistic expression. The window outlines a dynamic visual scene with luminous lines, reflecting the design layering and permeability, and strives to attract people here to turn their eyes from the window to other different areas.

入口展廊开放界面

艺术连廊边界

三角体橱窗与展廊

在整个建筑改造过程中，设计师特别强调了生态和自然可持续建筑材料的使用，整个建筑群破旧的建筑结构被从头开始修复，并按照当地保护历史痕迹的规范进行翻修。外立面破旧的老红砖嵌入新的语言，显露出全新的整个建筑结构，为建筑表皮带来新的可能性，诠释对当代材料的美学演绎，创造了一种新与旧的和谐。

In the whole process of building renovation, the designer particularly emphasized the use of ecological and natural sustainable building materials, and the dilapidated building structure of the whole complex was repaired from scratch and renovated according to the local codes for protecting historical traces. The worn old red brick on the facade embeds new language, revealing a brand-new whole building structure, bringing new possibilities to the building skin, interpreting the aesthetic deduction of contemporary materials, and creating a kind of harmony between the new and the old.

新与旧在结构层面上的对话

红砖门廊与内景

红砖柱中的纸花雕塑

艺术馆的空间具有个性和创造特征，按功能以不同比例切割成高低三部分，顺应有序分离的动线，每个体块自由进出互相交融，空间感受与功能需求高效叠加；通过对一天各时段光与阴翳效果的细腻考量，于外墙落地玻璃的几何造型，引光入室，光影翩跹，为有限的界域注入无尽的想象。

The space of the art museum is characterized by individuality and creativity. It is divided into three parts, high and low, according to different proportions of functions, conforming to the moving lines of orderly separation. Each block is free to enter and exit and blend with each other, and the space feeling and functional requirements are superimposed efficiently. Through careful consideration of the effect of light and shade in different periods of the day, the geometric modeling of the floor-to-ceiling glass on the exterior wall will lead light into the room, and the light and shadow will flutter, injecting endless imagination into the limited boundary.

展廊中的光影

地面细石子与青石板材质的衔接，高低错落的老木板形态肌理，塑造出内部的灵动性，给予每一件艺术作品以最佳观览效果，巨大的体块构筑了艺术性与雕塑感，又充满了趣味性，整体赋予了艺术最真实的情绪传递。

The connection between the fine stones on the ground and the bluestone material, and the texture of the old wooden boards strewn at random, shape the internal agility, and give the best viewing effect to every artistic work. The huge blocks build the artistic and sculptural sense, and are full of fun, which endows the art with the truest emotional transmission as a whole.

地面生长的艺术纸花

在空间内，我们置入了4个相同规格的六边形单体结构，如悬浮在地面上的玻璃box，打破原有空间界限的box结构，我们运用同一种元素但不同的设计手法贯穿整个空间使其连贯且统一；在灯光的选择方面，这次我们采用大量线条灯来装饰点缀，地面采用了大面积灯带光源照明，使室内光源统一均匀，更加激进而立体。

In the space, we put in four hexagonal monomer structures with the same specifications, such as the glass box suspended on the ground and the box structure that breaks the original space boundary. We use the same element but different design techniques throughout the whole space to make it coherent and unified; In the choice of lighting, this time we used a large number of line lights to decorate and decorate, and a large area of lights with light sources were used on the ground to make the indoor light sources uniform, more radical and three-dimensional.

悬浮六边形体与屋顶结构

展陈设计层面，设计师将“自然共融”的理念具象诠释，以三角异形落地玻璃“橱窗”为概念完成前端开口，增强空间内外的互动关系；馆外，可直观感受空间的艺术氛围，如橱窗；馆内，局部场景与灯光视觉界面构成的诗意，形成了空间连续性的感觉。

At the exhibition design level, the designer interprets the concept of "natural communion" figuratively, and completes the front opening with the concept of triangular shaped floor-to-ceiling glass "window" to enhance the interaction between inside and outside the space; Outside the museum, you can intuitively feel the artistic atmosphere of the space, such as the window; In the museum, the poetry of the visual interface between local scenes and lighting forms a sense of spatial continuity.

三角体落地窗形态

通透的室内外界限

在空间中我们运用了多种材料，不同质感，拼接,重叠,碰撞，重组，但大部分材料的选取是基于空间的叙事性氛围，也需要控制整体体验感的节奏变化；这种变化会让空间氛围微妙具有细节,同时又不会抢夺主体的吸引程度；而在需要重点表达的空间区域，我们会运用到跳出整体感的材质，增强空间的冲突感层次感。

In the space, we use a variety of materials with different textures, splicing, overlapping, collision and reorganization, but the selection of most materials is based on the narrative atmosphere of the space, and it is also necessary to control the rhythm change of the overall experience. This change will make the space atmosphere subtle and detailed, while not robbing the attraction of the main body; In the space areas that need to be emphasized, we will use materials that jump out of the sense of wholeness to enhance the sense of conflict in the space.

垂吊中浪漫的艺术纸花

纸花雕塑与观景平台

垂落纸花装置艺术与空间倒影

艺术展廊局部空间

漂浮的休闲观景区

雕塑与内景局部

我们通过遗留或者过去的痕迹来表达作品，所以决定保留部分它原有的结构，墙面，我们相信这些旧的结构痕迹与新设计的碰撞融合将会呈现给我们完全不一样的体验感，以此来制造空间的冲突感与戏剧性；在科技感十足的灯光点缀下，锈钢板，裸露的红砖，质朴的材料，肌理的纹路，显得更酷，更开放，更未来。

We express our works through the traces left over or past, so we decided to keep some of its original structures and walls. We believe that the collision and fusion of these old structural traces and new designs will give us a completely different sense of experience, so as to create a sense of conflict and drama in space; Under the lighting with full sense of science and technology, rusty steel plates, bare red bricks, plain materials and textured lines look cooler, more open and more promising.

平面设计图

总平面图

剖面图

南立面图

西立面图

（云间粮仓建筑改造“上海嘻谷艺术馆”）

(Cloud granary building renovation "Shanghai Xigu Art Museum")

项目简介

Project Introduction

项目名称：（云间粮仓建筑改造“上海嘻谷艺术馆”） 

Project Name: (Cloud Granary Building Reconstruction "Shanghai Xigu Art Museum")

项目地点：中国·上海·松江

Project Location: Songjiang, Shanghai, China

建筑面积：1200平方米

Building Area: 1200 square meters

项目类型：展厅/装置艺术/纸花雕塑

Type: Exhibition Hall/Installation Art/Paper Flower Sculpture

项目业主：炯玛实业（上海）有限公司

Owner: Jiongma Industry (Shanghai) Co., Ltd.

建筑设计：DCDSAA淀川建筑事务所

Architecture Design: DCDSAA Architecture Office

室内设计：DCDSAA淀川建筑事务所

Interior Design: DCDSAA Architecture Office

公司网站：

Company Website:

主持建筑师：王皓

Host Architect: Wang Hao

设计团队：袁郑亮、唐超、颜丙坤

Design Team: Yuan Zhengliang, Tang Chao, Yan Bingkun

设计时间：2022年1月

Design Time: January, 2022

建成时间：2022年7月

Completed Time: July, 2022

施工单位：上海淀川建筑设计有限公司

Construction Unit: Shanghai DCDSAA Architectural Design Co., Ltd.

主要材料：石材、锈钢板、老木板、玻璃、素水泥、肌理漆

Main materials: stone material, rusty steel plate, old wooden board, glass, plain cement, texture paint

项目摄影：吴清山 

Project Photographer: Wu Qingshan

设计师简介 王皓

Personal profile 

创意总监，DCDSAA建筑事务所 / DCDSTUDIO淀川设计事务所创始人兼总设计师，毕业于中国美术学院建筑系，王皓先生以“意境东方，匠心美学”的设计品牌理念，创作出一套具有东方文化底蕴与现代国际内涵相结合的语境，完成并发表了诸多匠心独运的设计作品。 

Honors

Creative director, founder and chief designer of dcdsaa / dcdstudio, graduated from Architecture Department of China Academy of fine arts,With the design concept of “Zen Oriental, Ingenuity Aesthetics”, Mr. Wang Hao created a set of contexts that combine the oriental cultural heritage with the modern international connotation, and completed the publication of many ingenious designs.  

设计理念

设计是虚实关系的对比，是在有和无之间寻求和谐的过程，是把大自然物象抽象化与现实需求的平衡，更是贴近自然人性的心理需求。

Design Concept

Design is a contrast in the relationship between virtual and real. Design is a very abstract one. It seeks balance between being and not. It is the repeated balance between the abstraction of natural objects and the needs of reality. It is also the psychological demand close to natural humanization.

主持建筑师王皓（DCDSAA创始人）

淀川建筑事务所简介

DCDSAA Introduction

DCDSAA淀川建筑事务所是专业性的设计机构，致力于建筑设计和室内设计研究及实施。对材料的研究与善用，是建筑、室内及景观设计创新的重要途径，从而平衡建筑、室内与自然的关系，也是对历史、文化、自然和光的尊重，更加现代化、多元化、商业化、对创新更加具有独特性和开放性。

我们始终认为研究是设计的一种有力工具，因为每个项目都具备有其特有的背景。对规划运作、地点、功能和历史等进行细致深入的研究是创造严谨作品不可或缺的要素，在研究的基础上，一直致力于设计理论研究与实践，并提供全方位的专业原创设计服务。

DCDSAA is a professional design organization, dedicated to architectural design and interior design research and implementation. The research and good use of materials is an important way of architectural, interior and landscape design innovation, so as to balance the relationship between architecture, interior and nature, as well as respect for history, culture, nature and light, more modern, diversified, commercialized, more unique and open to innovation.

We always believe that research is a powerful tool for design because each project has its own unique background. Detailed and in-depth research on planning operations, locations, functions and history is an indispensable element in the creation of rigorous works. On this basis, we have been committed to designing theoretical research and practice, and providing a full range of professional and original design services.