书卷与烟火

2020-06-24 17:07

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项目名称：三盛·璞悦府
设计总监：彭征
主案设计：冯宁轩、梁方其
设计团队：吴惠霞、彭进勇、陈世升
项目管理：李永华、朱云锋
设计单位：广州共生形态工程设计有限公司
企业网站：www.cocopro.cn
项目业主：三盛集团
项目地点：浙江温岭
设计时间：2019年09月
竣工时间：2020年05月
设计面积：600M²
主要材料：奥地利灰大理石、蓝色烤漆板、古铜色不锈钢、艺术玻璃、实木

设计师：彭征广州共生形态工程设计有限公司董事、设计总监

书卷与烟火

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 "note": "间，空间的节奏与秩序，既是空间与空间的隔，也是空间与空间的连接。平面上的转、承、启、合，对应了观者在空间中的行、望、顿、留。气，风在空间中流动的沉积，如山水画的留白。“间”将“气”引水入渠，因流动而生动。天地以气造物无心而成形体，“漫卷诗书”便是“气”在空间中游走的物化，如此这般，空间便活了，气韵生动。当观者游览整个空间，从这一段徜徉到那一端，发掘空间的可流连之处，观者本身亦成为空间的一部分——如果“漫卷诗书”指向的是那个形而上的观想世界，那么空间中的观者便是那世俗的本体。",
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 ,
 {
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 "img": "http://pic-bucket.ws.126.net/photo/0010/2020-06-24/FFTDKSP2POUR0010NOS.png",
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 "simg": "http://pic-bucket.ws.126.net/photo/0010/2020-06-24/FFTDKSP2POUR0010NOS.png",
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 "title": "书卷与烟火",
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 }
 
 ,
 {
 "id": "FFTDKRH7POUR0010NOS",
 "img": "http://pic-bucket.ws.126.net/photo/0010/2020-06-24/FFTDKRH7POUR0010NOS.png",
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 "title": "书卷与烟火",
 "note": "温岭地处温黄平原，四山一水五分田的地貌，孕育出当地人的生活景致与传统风俗。得灵感于此，三盛璞悦府销售中心，入口玄关墙如海中山岛，将空间如画卷般横向展开，而梯间悬吊的文字图腾又将空间向上拉升与引导，横、纵向空间层次得以扩展，人的视线亦因之得以拓宽。",
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 ,
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 ,
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 ,
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 "id": "FFTDKNPIPOUR0010NOS",
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 "timg": "http://pic-bucket.ws.126.net/photo/0010/2020-06-24/FFTDKNPIPOUR0010NOS.png",
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 "osize": {},
 "title": "书卷与烟火",
 "note": "温岭文明起源早，远在新石器时期已有人类生息繁衍。温岭的徐堰王古城，是战国时遗址，附近仍保留唐、宋时期的七座古窑址。温岭还有个“卖鱼桥”，然而并不见桥，相传原来是有桥的，每逢市集便聚满卖鱼的小贩。时过境迁，桥与小贩已不再，名字却留了下来。史料里的温岭，颇具骚客书卷气，而地名里的温岭，充满人间烟火气。很是有趣。 作为一个标准化的销售中心设计，何为标准显得尤为重要。这个标准既包含设计的通用性原则，一种自上而下的精英文化；同时又指向由地方文化所建构的审美取向，一种由下至上的世俗观念。设计在其间，既是一种善意的过渡，又是一个包容的容器。",
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 ,
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 ,
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 "timg": "http://pic-bucket.ws.126.net/photo/0010/2020-06-24/FFTDKL49POUR0010NOS.png",
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 "osize": {},
 "title": "书卷与烟火",
 "note": "古庙依青嶂，行宫枕碧流。 水声山色锁妆楼。 ——五代·李珣五代董源的山水立轴《溪岸图》，上半部分是观想的世界，两峰耸峙相对，夹壑中一道溪流自远而近，下半部分是世俗的生活，高士倚栏远眺，家眷仆女嬉戏于旁。理想与世俗共存于咫尺绢本之上，山水画的诗意建构便在于此。自五代至北宋，类似的山水立轴有很多，如五代卫贤的《高士图》、李成的《晴峦萧寺图》以及北宋范宽的《溪山行旅图》等。 山水立轴里蕴含着文人处世哲思。仕与隐是横亘于历代文人面前不可回避的问题，如天平的两端，一端是入世，知周乎万物而道济天下，一端是出世，逍遥于天地之间而心意自得。入世在度人，出世在度己，看似南辕北辙的两种选择，五代两宋的文人找到了最好的平衡，即以出世之心，做入世之事。",
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 }
 
 ]
 }

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