今饰家设计.石丽萍 | 在途之居

2025-10-10 13:56

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从事小众进口电子品牌的经营项目的两夫妻，穿梭于不同的国土是他们生活的常态，而浸润于艺术氛围中的工作也让他们更注重自我的精神追求。国内的居所对于他们而言，或许更像是一处灵魂的栖息地，是思想与艺术间的交锋与回响，是存纳于心灵深处的抵达之岸。设计师：石丽萍今饰家设计设计总监

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今饰家设计.石丽萍 | 繁花…

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                   "note": "女业主非常喜欢丝绒的材质，因为她认为这种舒适、柔软且优雅状态，符合她对于家的各种想象。艳丽又克制偏重色的复古风格的空间中，鲜明的色彩如同绽放的花朵，点亮起一处又一处的感官之地。明丽的橙黄碰撞优雅神秘的深蓝色丝绒餐椅，一转身，橄榄绿的沙发形成柔和的包围感，空间虽然善于使用鲜艳的色彩编织花园般的生机，但又以丝绒材质柔化其锐利的锋芒，不刺人眼球，又让人过目难忘。",
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                   "title": "石丽萍 | 在途之居",
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                ,
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                   "osize": {},
                   "title": "石丽萍 | 在途之居",
                   "note": "纯手工木地板每一片的木纹质感都有些微的差别，尺寸大小也并不统一，铺设在地面上却别有一番艺术的趣味。“回归的视角与热烈的情感”这是空间设计的主题词，也是业主真实生活的写照。从复古色彩的视觉感知入手，柔软的织物与温厚的木材，搭配古铜材质的金属灯具，汇成空间的第一感官，突如其来的明艳色彩，在每一次逡巡的目光中，留下跃然心动的重色。",
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                   "osize": {},
                   "title": "石丽萍 | 在途之居",
                   "note": "一次设计师与女业主选品的过程中偶然发现了这块花砖。“太漂亮了，用在哪里合适呢？”，他们共同抛出了这个问题，再一起反复讨论琢磨，最后在后门的入户墙面处，通过花砖拼接的方式把这块让人怦然心动的材料放在了家里。在这次空间的设计中，设计师并未如往常一般，提前划定每一处场景的呈现，而是选择在前期做大量地留白，落地过程中，设计师和业主一同寻找石材，挑选木皮的颜色与手感，为心动的家具驻足……然后再为这些心仪的产品规划合适的呈现方式，这种“临时起意”的设计方式，让这个空间有了更多的可能性，也赋予其更为深切的艺术性。",
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                ,
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                   "osize": {},
                   "title": "石丽萍 | 在途之居",
                   "note": "市面上一直没有找到一个合适的边柜，于是设计师和女业主打算亲自设计，采用胡桃木拼接的方式，呼应主卧床后方的背景墙与走廊处的木门纹样。",
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                   "osize": {},
                   "title": "石丽萍 | 在途之居",
                   "note": "来自栖木艺术家王源远的一副综合版画《糖果屋》，画面通过艳丽的色彩外表，潜藏质朴的情绪语言，与空间所要表达的意境不谋而合。",
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                   "title": "石丽萍 | 在途之居",
                   "note": "在层高限制的情况下，业主需要在保留地下室的基础上，设计一处可供窖酒的夹层空间。设计将入户方式设置为地下一层，并适当降低夹层空间的楼板面，形成错落的Z字形结构，保证场景的舒适性。与此同时，楼层间的开放关系也带来视觉属性的层起变化，颇具形式美感。",
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                   "note": "可抵达的岸从事小众进口电子品牌的经营项目的两夫妻，穿梭于不同的国土是他们生活的常态，而浸润于艺术氛围中的工作也让他们更注重自我的精神追求。国内的居所对于他们而言，或许更像是一处灵魂的栖息地，是思想与艺术间的交锋与回响，是存纳于心灵深处的抵达之岸。",
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                   "title": "石丽萍 | 在途之居",
                   "note": "我正在想欧洲的野牛和天使，想到颜料持久的秘密，想到预言家的十四行诗，艺术的避难所。——纳博科夫",
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            ]
        }

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